EMERSIVE STORYTELLING – AN EXPLORATION OF ANIMATION AND THE FOURTH WALL AS TOOLS FOR CRITICAL THINKING Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10696) Continue reading
THE LANDSCAPE OF INTRODUCTORY ANIMATION EDUCATION IN BRAZIL Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11026) Continue reading
HOW CAN SHORT ANIMATED FILM BE USED AS A HEALING AND THERAPEUTIC TOOL FOR CHILDREN LIVING WITH FAMILIAL ADDICTION? Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10737) Continue reading
ANIMATED TEENAGE MINDSCAPES: ANIMATION AS SUBJECTIVE FANTASY SPACE IN CONTEMPORARY TEEN MOVIES Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10704) Continue reading
THE ELEPHANT IN THE ROOM Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10752) Continue reading
IPAD AS A DIGITAL SOLUTION FOR AN ADVANCED 2D ANIMATION CLASSROOM Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10931) Continue reading
HOW VISUALS BRING US TOGETHER WHEN LANGUAGE SEPARATES US Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10949) Continue reading
SPACE JAM: HOW ANIMATORS MAKE SPACE FOR THINKING Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10956) Continue reading
THE ANIMATION LAB IS ALSO A PLACE: LOCALIZED IDENTITY AND INCLUSIVE LEARNING IN STUDENT-RUN COMMUNITIES OF PRACTICE Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10960) Continue reading
A NEW PLACE FOR ANIMATED STORYTELLING: ADAPTING MAJOR SHAKESPEARE TEXTS FOR VR Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10963) Continue reading
OUT OF THE VIRTUAL REALM INTO REALITY. HOW 3D PRINTING BLURS THE LINES BETWEEN STOP MOTION AND CG ANIMATION Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10967) Continue reading
ADVENTURE TIME’S OPENING TITLE SEQUENCE AND THE MOBILE MAP: ANALYZING MOVEMENT, WORLD-BUILDING, ACTIVE SPECTATORSHIP AND NARRATIVE PRACTICES Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10989) Continue reading
AMBIENT ANIMATION DISPLAYS AND PLACE MAKING IN PUBLIC SPACE Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10987) Continue reading
FROM REGIONAL TO TRANSNATIONAL: THE IMPACT OF RECENT SPANISH HISTORY ON FEMALE ANIMATED BODIES Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11005) Continue reading
COMBINED 2D ANIMATION IN NIKO AND THE SWORD OF LIGHT. Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11007) Continue reading
INSISTING ON THE HANDMADE: TANGIBLE ANIMATION FOR THE INTANGIBLE CITY Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11012) Continue reading
SHADOWS, MUSIC, AND THEIR JOURNEYS. AN ANIMATED RECONSTRUCTION OF THE SHADOW PLAYS FROM THE CHAT NOIR TOURING THEATRE Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11027) Continue reading
POST CULTURAL ANTHROPOPHAGY AND CONTEMPORARY BRAZILIAN ANIMATION Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11024) Continue reading
WHAT CAN COMPARE WITH YOUR BEAUTIFUL SOUND? DISNEY’S MUSICAL UTOPIAS Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11047) Continue reading
THE ANIMATED DOCUMENTARY AND THE DIGITAL DOMAIN Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10923) Continue reading
WHEN YOU STOP ANIMATING: ANIMATION EXPERIENCE AND ITS LATER TRANSFERABILITY INTO OTHER CREATIVE AREAS Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11046) Continue reading
ANIMATION AS A TOOL OF RESISTANCE Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11044) Continue reading
WILLINGTON STREET – THE MEMORIES YOU LEAVE BEHIND Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11062) Continue reading
BODY, BREATH, BREAK: WILLIAM KENTRIDGE’S INTIMATE ECOLOGIES Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11061) Continue reading
BUREAUCRATIC HIEROGLYPHICS: POSTAGE STAMPS AS ART, CULTURE AND HISTORY Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11074) Continue reading
A QUICK TRIP TO THE LABORATORY AND POOF!: CHEMICALLY INDUCED TRANSFORMATIONS IN AMERICAN THEATRICAL CARTOONS Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11099) Continue reading
INFINITE COLLECTIVE: HAND-DRAWN ANIMATION AS SOCIALLY-ENGAGED ART PRACTICE (WORKING TITLE) Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11083) Continue reading
SOCIO-POLITICAL PERSPECTIVES ON PORTUGUESE ANIMATION CINEMA Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11080) Continue reading
EXPLORING THE PHYSICALITY OF THE CINEMATIC SPACE THROUGH MINIATURES Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11093) Continue reading
AUTHENTICITY IN EXPERIMENTAL DOCUMENTARY ANIMATION. THE SIGNIFICANCE AND VALUE OF SUBJECTIVE ARTISTIC POSITIONS. Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11068) Continue reading
THE VOICE INSIDE SINGS A DIFFERENT SONG: THE POLITICS OF DUBBING MOANA Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11072) Continue reading
IRISH WOMEN MODERNISTS AND ANIMATION PRACTICE AS A RECLAMATION OF CULTURAL AND ARTISTIC SPACE Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11066) Continue reading
LATIN AMERICAN ONLINE ANIMATIONS: AN OVERVIEW AND REFLECTIONS ON ITS RESEARCH METHODS. Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11065) Continue reading
ANIMATION AND SOCIAL HOUSING, AN EXPERIMENT INSIDE SIX HOUSING TOWERS IN LISBON, 1959 Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11057) Continue reading
ANIMATING CONSCIENCE: REPRESENTATIONS OF INNER CONFLICT IN ANIMATION Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11038) Continue reading
4 STATES OF MATTER – CREATIVE PROCESS Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11033) Continue reading
REINVENTING TEHRAN AS THE SITE OF RESISTANCE, CONTEMPORANEITY AND YOUTH CULTURE IN IRANIAN INDEPENDENT ANIMATION Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11042) Continue reading
FROM SILICON TO PIXEL: EXPLORING THE MATERIAL ORIGINS OF THE SIMULATED IMAGE. Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-11019) Continue reading
FEMINISMS AND ANIMATION: FEMINIST DISCOURSE ANALYSIS OF QUEBEC ANIMATION FROM THE NATIONAL FILM BOARD OF CANADA (1970-1979). Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10973) Continue reading
THE TIMES THEY ARE CHANGIN’ – CULTURAL IDENTITIES IN THREE ANIMATED SHORTS FROM THREE EX YUGOSLAV REPUBLICS Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10971) Continue reading
TEACHING THE ILLUSION OF LIFE: THE FIRST FIFTY YEARS OF THE SHERIDAN ANIMATION PROGRAM Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10983) Continue reading
ANIMATING IMAGINED COMMUNITIES: MELBOURNE’S CHRISTMAS WINDOWS Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10997) Continue reading
MONSTER DOCS Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10993) Continue reading
ANIMATION AND ITS CREATIVE LANGUAGE IN CULTURAL ADAPTATION Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10957) Continue reading
THE SHRINKING TRUTH ABOUT DISNEY PLASTIC Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10943) Continue reading
ANIMATING THE BORDER UNDERGROUND Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10762) Continue reading
ANIMATION IN SINGAPORE CONTEMPORARY ART: HILMI JOHANDI AND DAVE LIM Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10776) Continue reading
COMMUNISM, STICKY RICE AND BAMBOO HUTS: ANIMATION IN LAOS Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10750) Continue reading
BEING IN THE DIGITAL WORLD: EMBODIMENT IN THE WORKS OF LU YANG Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10744) Continue reading
THE TRANSFORMATION OF SPACE IN THE SECOND COMING Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10702) Continue reading
THEIR STORY.THEIR VOICE.THEIR WORLD: AN ANIMATION BASED LEARNING PROGRAMME FOR CHILDREN WITH FASD Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10699) Continue reading
THE ANIMATED MOCKUMENTARY, ITS MARKERS OF VERIDICTION AND THEIR EVOLUTION ACROSS TIME Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10731) Continue reading
ANIMATING FEMINISM PAST AND PRESENT Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10708) Continue reading
“THE BUTTERFLIES DO NOT LIVE HERE. AN EARLY EXAMPLE OF ANIMATED DOCUMENTARY ON THE HOLOCAUST.” Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10705) Continue reading
BORN AGAIN: ‘SCAVENGER’ ANIMATION AND THE [RE]BIRTH OF ANIMATED CONSCIOUSNESS IN AFRICA Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10684) Continue reading
DANCING INTO ACOUSTIC SPACE Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10683) Continue reading
“ANIMATION IS MY IDEAL PLACE” – A CLOSER LOOK AT SANDRO DEL ROSARIO’S EXPERIMENTAL ANIMATIONS. Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10751) Continue reading
CUBES ON A CARPET Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10764) Continue reading
MOVING THROUGH THE IMAGE: EXPANDED ANIMATION FOR A SHARED PHYSICAL UNDERSTANDING. Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10800) Continue reading
REMEMBERING THE NOSTALGIC ISTANBUL IN ANIMATION: CONSTRUCTION OF THE CULTURAL IDENTITY OF THE ISTANBULITE IN “RAFADAN TAYFA: DEHLIZ MACERASI” Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10933) Continue reading
MAGIC HIGHWAYS AND AUTOPIAS: DISNEY AND THE EXPANDED PLACE OF ANIMATED ADVERTISING Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10869) Continue reading
ANIMATED HIGH-RISE ARCHITECTURE: SPACE, PLACE AND SYMBOLISM. Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10939) Continue reading
CIGGY BUTT BRAIN: TOWARDS A NATIONAL SENSE OF PLACE IN AUSTRALIAN ANIMATION Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10946) Continue reading
A CARTOGRAPHY OF THE INVISIBLE INTERSTICE Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10968) Continue reading
ZUM GEMEINWOHL! (FOR THE COMMON GOOD!): ANIMATION EXPRESSING THE LOCAL IN THE GLOBAL Written by claudioconstantino on 13 June, 2019. Posted in Presentations. (SAS2019-10961) Continue reading
THEORIES ON THE USE OF THEATRICAL ESOTROPIA IN ANIMATED CHARACTER DESIGN AND PERFORMANCE Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-10965) Continue reading
DIGITAL REFLEXIVITY Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-10992) Continue reading
SUBVERSIVELY CLAUSTROPHOBIC SPACES IN WOMAN’S ANIMATED AUTOBIOGRAPHY. Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-10984) Continue reading
DOCUMENTS OF GRIEF: AUTOETHNOGRAPHIC PROCESS IN MAKING ANIMATED DOCUMENTARY Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11016) Continue reading
THE LIBRARY, A NON-INTRUSIVE GAZE DIRECTED INTERACTIVE VR ANIMATION Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11015) Continue reading
DEVELOPING AN ALTERNATIVE PROCESS FOR BRINGING THE AESTHETICS OF STOP FRAME ANIMATION INTO VIRTUAL REALITY DEVELOPMENT INTERFACES Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11011) Continue reading
HANDWOVEN TALES IN CONTEMPORARY CONTEXT: THE TRANSFORMATION AND TRANSPOSITION OF TRADITIONAL ANIMATION TECHNIQUES TO ENVIRONMENTS BEYOND THE SCREEN Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11022) Continue reading
ANIMATION IS A REFUGE: ‘MIGRANTI’ DWELL IN THE STORIES OF THE MIND. Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11039) Continue reading
ARTISTIC PERSUASIONS: ANIMATION, PUBLIC AWARENESS AND THE INDIAN STATE Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11030) Continue reading
THE CHROMATIC PLAYHOUSE: COLOR FIELDS IN POSTWAR AMERICAN ANIMATION AND ARCHITECTURE Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11049) Continue reading
ANIMATED / SPACES / DOCUMENTED / PLACES Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11060) Continue reading
ANIMATED MEMORIES: THE SUBJECTIVE APPROACH OF BRAZILIAN POLITICAL HISTORY IN “TORRE” Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11063) Continue reading
A CRITICAL REFLECTION ON COOPERATIVE ANIMATION IN MIXED REALITY SPACES Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11034) Continue reading
ANIMATION ARCHIVES: SITES OF KNOWLEDGE AND CONSERVATION Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11070) Continue reading
LET’S GET PHYSICAL: FOSTERING HYBRID ANIMATION PRACTICES AND EMBODYING THE TANGIBLE IN ANIMATION EDUCATION Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11088) Continue reading
INANIMATE LOVE: THE PUPPET AS AN OBJECT OF AFFECTION INSIDE THE PRODUCTION OF A MOVIE. Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11097) Continue reading
THE FOREIGN, THE EXOTIC, AND THE OTHER IN THE MUSIC OF _MULAN_ Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11096) Continue reading
HOW 2D ANIMATION HELPS CHILDREN LEARN TO CREATE STORIES USING A TANGIBLE USER INTERFACE Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11101) Continue reading
HAYAO MIYAZAKI: ENVIRONMENTALISM & ANIME Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11084) Continue reading
FEMALE SEXUALITY AND THE ‘VOCALIC BODIES’ OF NEVER LIKE THE FIRST TIME!, LE CLITORIS, AND PRIVATE PARTS Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11102) Continue reading
ANIMATING DOCUMENTARY MODES: NAVIGATING A THEORETICAL MODEL FOR ANIMATED DOCUMENTARY PRACTICE Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11098) Continue reading
CROSS-CULTURALISM AND LOCAL SPECIFICITY UNDER THE LENS OF SEICHIJUNREI AND MAWARU PENGUINDRUM Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11090) Continue reading
WAPOS BAY: NO MORE PIPE DREAMS. Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11086) Continue reading
MOVING MAPS: ANIMATION AND CARTOGRAPHY Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11078) Continue reading
THE RITUAL IN THE PORTUGUESE ANIMATION Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11077) Continue reading
HAND-HELD PUPPETS: BEYOND THE LIMITS OF ANIMATION? Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11075) Continue reading
ANALYSIS OF CZECH STOP MOTION ANIMATION AS A NATIONAL IDENTITY Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11067) Continue reading
VISUALIZING MICROBIAL SEASCAPES: A CASE STUDY OF TEACHING ANIMATION AND MARINE BIOLOGY Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11064) Continue reading
“ANIMATION AND ITS OTHERS: EXPRESSIVE RECIPROCITIES IN VISUAL, AURAL, AND VERBAL IMAGINATION” Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11050) Continue reading
ANIMATED URBAN SURFACES – SPATIAL AUGMENTED REALITY IN PUBLIC DISCOURSE Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11048) Continue reading
BLANC-GATTI AND MUSICALISM: A PAINTERS’ APPROACH TO SYNESTHESIA AND ANIMATION IN THE INTERWAR PERIOD Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11036) Continue reading
VIRTUAL HYBRID SPACES. NOTES ON COMBINATIONS OF LIVE-ACTION AND ANIMATION WITHIN VIRTUAL REALITY ENVIRONMENTS Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11035) Continue reading
DIGITAL FUTURES Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11029) Continue reading
TOPOLOGIES OF JAPANESE PORNOGRAPHIC ANIMATION AND ITS INTERNATIONAL RECEPTION Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11028) Continue reading
TEACHING AUDIO TO ANIMATORS: RETHINKING SOUND PEDAGOGY IN CONTEMPORARY ANIMATION CURRICULA Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11025) Continue reading
TRUMP IN WACKYLAND: HOLLYWOOD ANIMATION AS REAL ESTATE IN THE AGE OF CRUELTY Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11023) Continue reading
THE (IN)VISIBLE LABOUR OF WOMEN IN GLOBAL ANIMATION Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11017) Continue reading
OPTIC, HAPTIC AND KINETIC APPROACHES TO ANIMATION Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11006) Continue reading
PANTA RHEI (EVERYTHING FLOWS) – ANIMATION AND THE PHILOSOPHY OF HERACLITUS. Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-11002) Continue reading
ANIMATION ARCHIVES ACROSS ENGLAND – PRESERVING PERSONAL STORIES, PRODUCTION HISTORY, AND CULTURAL HERITAGE Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-10981) Continue reading
“SCROOGIN ON A GREG”: THE ABSURD IN SCOTTISH ANIMATED COMEDY Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-10969) Continue reading
CHASING THE ‘ELEPHANT IN THE LIVING ROOM’: ANIMATED DOCUMENTARY AS A SOCIAL TOOL / REALISM AND THE ANIMATED DOCUMENTARY Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-10964) Continue reading
THERE’S A TECHNOLOGICAL PLACE FOR US: ANIMATION, TECHNOLOGY, AND PLACE Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-10962) Continue reading
THE REPRESENTATION OF THE DIEGETIC IMAGINARIUM AS ANIMATION IN LIVE-ACTION CINEMA Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-10959) Continue reading
THE WORLDS OF ISAO TAKAHATA: ANIMATING FANTASY AND REALITY Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-10953) Continue reading
EXTENDING EMPATHY: IMAGINED PERSPECTIVES IN ANIMATION RESEARCH AND STORYTELLING Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-10951) Continue reading
DOCUMENTARY ANIMATION AND POLITICAL MEMORY OF THE 20TH CENTURY Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-10947) Continue reading
ETHNOGRAPHIC ANIMATION: PARTICIPATORY DESIGN WITH THE LONGHORN MIAO Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-10938) Continue reading
AGAINST ENTREPRENEURIALISM? THINKING ABOUT HOW TO EFFECTIVELY TEACH ANIMATION IN THE CONTEMPORARY UNIVERSITY Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-10804) Continue reading
SITES OF GENDERED CREATION IN AMERICAN AND JAPANESE ANIMATION, 1950S TO PRESENT Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-10929) Continue reading
CONTRIBUTIONS TO THE HISTORY OF ANIMATION EDUCATION IN PORTUGAL: THE CASE OF THE UNIVERSITY OF ALGARVE Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-10927) Continue reading
CHANGE, MOVEMENT, AND THE FABRIC OF REALITY: ANIMATED IMAGE AS A NEW MODE OF INQUIRY IN SCIENTIFIC RESEARCH Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-10924) Continue reading
THE PLACE OF CUT-OUT ANIMATION: LARRY JORDAN’S SURREAL VICTORIAN SETTINGS Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-10922) Continue reading
RETHINKING THE VERNACULAR: TRANSDISCIPLINARY DESIGN THINKING IN ANIMATION & ARCHITECTURE Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-10880) Continue reading
TRENCH AESTHETICISM RE-VISITED: WHEN ANIMATION FILMS FRAME THE ‘GREAT’ WAR Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-10786) Continue reading
PARACINEMA AND THE DEMATERIALIZATION OF ANIMATION Written by claudioconstantino on 12 June, 2019. Posted in Presentations. (SAS2019-10785) Continue reading
